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Rangoli colours and materials

Rangoli can be made from almost anything that is dry, coloured and safe to handle. The right material depends on where the design will be, how long it must last and who is making it.

Ready rangoli powder

The packets sold before festivals are fine stone powder or sand mixed with colour. They give the brightest result and flow well from the fingers. Buy white in the largest amount, because it is used for outlines, dots and corrections.

White for lines

Daily designs are drawn in white alone. The traditional material is rice flour, dry or mixed with water into a thin paste that is applied with the fingers or a cloth. Chalk powder and white stone powder give a brighter line and are common today.

Natural colours from the kitchen

ColourMaterialNote
WhiteRice flourThe classic base for every other colour
YellowTurmeric, or rice flour mixed with turmericMixing with flour makes it go further
RedKumkumStrong colour; a little is enough
OrangeTurmeric with a little kumkum, or masoor dalMasoor dal gives a grainy orange
GreenDried leaves ground to powder, or whole green moongDry the leaves in shade so they keep their colour
BrownUsed tea leaves or coffee grounds, driedGood for outlines and diya bowls
BlackWhole urad, or black sesameUse for eyes and small details

Coloured rice, salt and sand

Put raw rice, coarse salt or clean sand in a bowl, add a few drops of food colour and a spoon of water, mix well and spread it on paper to dry. The grains are heavier than powder, so they suit windy verandas and children's hands.

Flowers, leaves, grains and pulses

Flower petals make the pookalam of Kerala and suit any festival. Whole pulses and grains give a rangoli that can be cooked afterwards if it was laid on a clean cloth or tray: rice for white, moong for green, masoor for orange, rajma for dark red.

Tools worth having

Choosing with care

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